Creative-Commons As (unqualified) Acts of Love By James Diaz

Left Out In The Cold: A Journal

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In the first chapter of Ranceire’s Sentiments, Davide Panagia outlines Partager/sharing and the subtle ways in which Ranciere approaches politics through a sentimental reading and writing. Sentimental, often used as a disparaging comment, as in one who is too sentimental, here comes to define a way of reading and sensing that has less to do with any natural drawn lines of distinction, origin, or absolute narrative and more to do with what resonates, contrasted with the seemingly natural but arbitrary make up of divisions and specificities (well ordered systems of knowledge and representation) we find a more anarchic sentiment at play.

Of Ranciere’s notions of mediation and in-betweenness, Panagia writes that:

[his] theory of radical mediation requires that the terms of relation not be treated as transcendental and immobile but as elements or parts of a kinematic arrangement. The point is a classically sentimental one: it is not…

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Author: chrissiemorrisbrady

I've read poetry since I was nine and have written creatively since I was fourteen (probably long before that). After writing book reviews and social comment, I decided I wanted to write poetry. I have no formal training, but I surround myself with poets and their writing. I am honing my craft. I have two published collections which I don't feel good about, but have been published by madswirl.com and other publications. I live on the south coast of England with my daughter. I am seriously ill.

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